KR grew up in Queens in the ‘80s surrounded by graffiti writers, skaters, punks and B-boys. Graf was a part of the attitude as much as it was the landscape. Everything was very DIY: steal paint, illegal spots, make markers, emphasize your style, experiment with multiple tools and methods. A lot of it was also based in economy (or lack thereof): sharing and stealing were simply a necessary part of the creative process.
In the early ‘90s KR moved to San Francisco. The scene he found there was thriving, yet different. Most writing took place in parking lots and specified spots. He arrived with a whole different attitude regarding materials and styles. Ignoring designated areas, he used the streets of SF as his very own research and development lab, experimenting with a lot of different tools and techniques to create bigger, drippy marker tags. He also began making his own inks, allowing him to get up bigger, bolder and, now armed with an endless supply of ink, much, much more.
From these trials and errors, KR’s ink, or Krink, was created. He shared his concoction with a few friends and soon it's silver markings dominated the city. In 1998 KR returned to NY and brought Krink back with him. Before long, it's signature style was covering the streets of NY as well.